IK Multimedia AXE I/O SOLO & Amplitube 5 Bundle - Open Box

Description

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IK Multimedia AXE I/O SOLO & Amplitube 5 Bundle - Open Box
IK Multimedia Interface with Software
- Used -
Description
Compact audio interface with advanced guitar tone shaping
Best-in-class guitar recording starts here
AXE I/O, IK’s award-winning audio interface, set a new standard for guitar-oriented recording interfaces. Now AXE I/O Solo brings the same great tone shaping, convenient features and premium sound to everyone, everywhere, in a compact and affordable 2-in / 3-out format.
Your guitar’s golden channel
AXE I/O Solo offers a triple-topology instrument input designed to preserve your guitar’s unique character, combined with powerful tone-shaping features to adapt to any guitar or bass, and helps you coax a wider range of sounds from any instrument.
Pick your pickup:
Passive
: designed to accommodate everything from low-output vintage pickups to hotter modern humbuckers with ultra-low noise and extended frequency response.
Active
: bypasses unnecessary gain stages when using active pick-ups, to keep your signal path as direct, transparent and clean as possible.
Choose your channel:
Pure
: a completely transparent and ultra-accurate preamp circuit that won’t color  your sound in any way.
JFET
: a Class A JFET input buffer for subtle harmonic enhancement, midrange focus and warmth.
AXE I/O Solo also offers IK’s patent pending Z-TONE® circuit, letting you dial in impedance from 1 MOhm (“sharp”) down to 2.2 kOhms (“bold”) that interacts with your pick-ups.
At the maximum impedance, you’ll find your sound tighter, sharper and more precise. Increase the load and the sound becomes thicker and bolder.
You’ll quickly find yourself using these controls to give your guitars even more sonic character – with just a few minutes’ experimentation you can dial in a sound that fits the mix beautifully.
PURE mic preamp for transparent recording
AXE I/O Solo offers a high-definition, Class A mic preamp designed for transparent and clean recording. An extended, flat frequency response captures the full tonal range of your voice or instrument without coloring the sound, and best-in-class dynamic range ensures ultra-quiet recordings.
Re-amplification made easier than ever
AXE I/O Solo offers a dedicated Amp Out, a with ground-isolated design and zero-latency routing, letting you ditch expensive and confusing reamping setups.
It’s simple : connect the Amp Out to your amp, then mic it up using AXE I/O Solo’s microphone preamp. Now you can capture a clean copy of your signal while recording and feed it back to your amp afterwards to experiment with different amp, stompbox and microphone settings without re-recording countless takes.
A truly high-end audio interface for everybody
The original AXE I/O set a high bar for sound quality. AXE I/O Solo preserves the best-in-class dynamic range, ultra-low self noise and wide, extended frequency response essential to capturing the most accurate details of your performance, and for keeping your sound completely pure and transparent.
Advanced digital control & routing
AXE I/O Solo also includes a powerful, convenient Control Panel application to manage inputs & outputs and assign routing & controller inputs.In the INTERFACE tab, you can view the active inputs, enable phantom power and control the ground lift to dial in the least noise for your setup. Adjust output volume, direct monitoring routing, select the sample rate and more.
The CONTROLLER tab gives you control over the 2 controller inputs. Set behavior, MIDI channel, MIDI CC #, minimum and maximum values, and more, to dial in the best settings for any application you want to control.The AXE I/O Solo Control Panel lets you keep focused on your work, instead of adjusting settings on the unit itself, for a faster, freer workflow.
Features/Specs
Common
AD and DA Resolution : 24-bit
Sampling Rate : 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz and 192 kHz
Host Connection : USB Type-B receptacle. USB 2.0 (High Speed).
Line Outputs 1-2 (Monitor)
Configuration : Electronically balanced and floating, automatically compensates level when connection is balanced or unbalanced, tip hot.
Output impedance : 150 Ohms balanced, 75 Ohms unbalanced
Output Level : 0 dBFS corresponds to +13.5 dBu
Frequency response : From 1 Hz to 46 kHz within 0.5 dB (96 kHz sample rate)
Dynamic Range : 113 dB(A)
THD @ -1 dBFS : 0.001%
THD+N : -103 dB(A) at -1 dBFS
Channels 1-2 crosstalk : 112 dB(A)
Output 3 (Amp output)
Configuration : Unbalanced, floating, with selectable ground lift
Output impedance : 75 Ohms
Output Level : 0 dBFS corresponds to -3 dBu
Frequency response : From 20 Hz to 42 kHz within 0.5 dB (96 kHz sample rate)
Dynamic Range : 106 dB(A)
THD+N : -93 dB(A)
Headphones Out
Output impedance : Virtually ideal source (zero Ohms) until clipping
Maximum Output level : +9 dBu into 50 Ohms load (approx 95 mW)
Frequency response : From 1 Hz to 42 kHz within 0.5 dB (96 kHz sample rate)
Dynamic Range : 111 dB(A)
THD+N : -102 dB(A)
Instrument Input
Configuration : Multiple topology instrument preamp
Input impedance, PASSIVE mode : Variable from 1 MOhms down to 2.2 kOhms
Input impedance, ACTIVE mode : 10 kOhms
Input level, min gain : 0 dBFS is obtained with a +12.5dBu signal at the TS input
Input level, max gain : 0 dBFS is obtained with a -19 dBu signal at the TS input
Frequency response : From 6 Hz to 42 kHz within 0.5 dB (96 kHz sample rate)
Dynamic Range : 117 dB(A)
THD, PURE mode : 0.002 % (-1dBFS input)
THD, JFET mode : 0.5 %
Mic Input
Configuration : Class-A discrete differential microphone preamp, pin 2 hot
Input impedance : 4 kOhms differential
Input level, min gain : 0 dBFS is obtained with a +9 dBu signal at the XLR input
Input level, max gain : 0 dBFS is obtained with a -44 dBu signal at the XLR input
Frequency response : From 7 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)
Dynamic Range : 116 dB(A)
THD+N : -104 dB(A) at -10 dBFS
Line Input
Configuration : Class-A discrete differential line receiver, tip hot
Input impedance : 20 kOhms differential
Input level, min gain : 0 dBFS is obtained with a +26 dBu signal at the TRS input
Input level, max gain : 0 dBFS is obtained with a -27 dBu signal at the TRS input
Frequency response : From 7 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)
Dynamic Range : 117 dB(A)
THD+N : -104 dB(A) at -10 dBFS
Connections and Controls
Front Panel
One 1/4" instrument input jacks
Two analog potentiometers for Input GAIN
Two 5 segments input level meter (peak)
Analog potentiometers for Z-Tone control
Pick-Up selector (PASSIVE/ACTIVE)
Preamp topology selector (JFET/PURE)
+48V phantom power switch
USB LEDS
MIDI IN/OUT LEDs
Monitor knob
1/4" headphones output jack
Master potentiometer for main output control
1/4" Amp output jack
Rear Panel
MIDI I/O 5-pin DIN connectors
socket for MIC input and Line input (auto selecting)
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